![]() ![]() Use the cutoff to make the highlight selection. ![]() Again, duplicating the clip to a top layer which receives the luma key is where you start. Using a clip where a person is backlit a little by the sun Gilles creates a retro look. Then just turn on the bottom layer and you should have a close approximate. Drag the gaussian blur effect onto the same top clip and adjust the blurriness of the highlights. Adjust the cutoff until you have selected most of the bright highlights. ![]() With your clip in the timeline, duplicate it and bring it up a layer. Recreating this look can be done with the luma key. It’s also just a nicer, smoother look with bigger flares. Mist Filter Replicatorįor those who don’t know, a mist filter is often used to help soften the highlights and create a more pleasing roll off. Though you can add a simple cross dissolve to smooth out the final frames. You can experiment with one hitting 100% before the other as well for a different look. ![]() Move to where you want the transition to end and set keyframes for threshold and cutoff at 100%. Moving to the timeline where you want the transition to begin you can then set a keyframe for the threshold and cutoff at 0%. Drop the luma key effect on the clip you want to have fade into the second clip and head to the effect controls. You’ll obviously need two clips on the timeline for the transition. This is actually very easy to pull off and uses just a few keyframes with the Luma Key effect. If you are looking for a place to start, Gilles from Premiere Basics has a great video that covers five super simple luma key effects in Premiere Pro CC. Just thinking about that for a minute can lead to some ideas. Instead of looking at the color palette, luma key does its work by examining the luminance of the scene. Sure, pulling off a great green screen effect is an amazing feat and can bring together a special effects sequence to elevate your project.īut, the luma key is also worth checking out for a different spin or take on these effects. ![]()
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